Pop Art Halftones Half Tones for 1 Color Screen Printing

Halftones are dots of varying sizes and spacing, put together to simulate a tone or gradient. Though it is a method connected to print, the aesthetics of it have made it popular to utilize fifty-fifty for digital content.

Having read a lot of comics where halftones are used, I have a special dear for information technology that I hope to share with y'all in this tutorial. You will find that information technology is not so hard to create this effect in Adobe Illustrator, and by using halftones instead of regular blackness and white or grayscale gradients, you can give your comics and artwork a certain unique appeal.

Follow along with us over on our Envato Tuts+ YouTube channel:

Looking for halftone resources for Adobe Illustrator? Check out this Halftone Brushes & Patterns pack over on Envato Elements, where you lot can download unlimited Adobe Illustrator resources (and much more than!) for 1 monthly cost.

Halftone Brushes and Patterns for Illustrator Halftone Brushes and Patterns for Illustrator Halftone Brushes and Patterns for Illustrator

1. How to Create the Line Art

Step 1

Nosotros commencement need to create the artwork which the halftones will be practical to. I've made a sketch of a shocked adult female, as a reference to pop art, which many acquaintance halftones with.

I open a new certificate in Adobe Illustrator and import the sketch by going toFile > Place...

From there I double-click the current layer the sketch is placed on, bank check theTemplate box and pressOK. I won't be working with many of them for this one, merely naming your layers is always a good practice.

Template layer for sketch Template layer for sketch Template layer for sketch

Step two

Now I start inking the loose sketch with the Castor Tool. As usual, I similar to use my comic style custom brush from a previous tutorial, just go with your ain preference on what brush y'all apply. You can notice tips and tricks on creating various brush types here at Envato Tuts+, or you lot tin cheque out some of the vector brush packs available on Envato Marketplace.

Ink on top of sketch Ink on top of sketch Ink on top of sketch

Pace 3

I similar to make pretty loose sketches and do the existent defining during the inking process. I find that a lot of the energy from the sketch tin can get lost when inking it, so my method is to non put likewise much effort into the sketch, and use it as more of a rough guide than a precise map to follow.

I have differed from the sketch in a lot of places, just now I feel it has the free energy behind the expression but correct, and it is set up for the next step.

Finished line art Finished line art Finished line art

2. Calculation Shades of Gray

Use thePen Tool to create the shapes of the hair. Make 2 shapes, one for each of the sides the hair is parted into. To get a gradient in black and white, simply press thePeriod primalon your keyboard.

Start filling in the lineart with grays Start filling in the lineart with grays Start filling in the lineart with grays

Once the hair is done, I add together the shapes for the lips and irises every bit well. Since her pilus is roofing part of her face up, I add a big shadow underneath the big lock of pilus.

Gradient tool used for hair lips and eyes Gradient tool used for hair lips and eyes Gradient tool used for hair lips and eyes

When shading the skin, I endeavour to keep in mind where the light source is coming from in the movie—from the left in this case—and endeavor to suspension the shapes downwardly that style. To add to the shock of the expression, I add together extra shadow underneath the eyes, which can have a scary effect.

When shading the tongue, I make a nighttime to medium greyness object with thePen Tool, and so I add points of lighter gray with theMesh Tool.

Mesh tool used for tongue Mesh tool used for tongue Mesh tool used for tongue

A adept way to keep control over the overall look of your image is to make a grayscale palette from which you selection your colors. By limiting yourself to just a few shades, you minimize the chance of having it look cluttered and overworked.

Grayscale pallette Grayscale pallette Grayscale pallette

3. Time to Brand Halftones!

Now we take a pretty decent grayscale image, simply we want to have it in halftones. This part is piece of cake, but a little demanding as well. While turning an object into grayscale is simply a push of a push, getting the desired look requires the right settings.

Which settings are all-time to utilise depends on what type of epitome you're afterward and what size and resolution you are working in. In other words, it requires some trial and fault.

Peel

I start by selecting all the objects making up the skin shading. Having these selected, I become to theOutcome card and choosePixelate, thenColor Halftone. Even though it says "Color Halftone" I recommend starting out creating these in black and white, simply because it'south easier to just keep rail of how those 2 colors deport. Making halftones in color involves several colors blending, and the results can be trickier to manipulate.

Halftone settings Halftone settings Halftone settings

My image is not very big, and so the settings I decide to utilize accept pretty low values, which creates a nice dense pattern for the skin.

Halftone result Halftone result Halftone result

Hair

For the hair I desire something a bit bolder, and I turn the values up a bit.

Halftone settings Halftone settings Halftone settings

Here you lot can actually see how the dots work, becoming smaller the lighter the gradient becomes.

Halftone result Halftone result Halftone result

Mouth

Finally, for the rima oris, I make up one's mind to experiment a bit more with the values of the mesh before applying the halftone.

Halftone settings Halftone settings Halftone settings
Halftone result Halftone result Halftone result

4. Apply Dot Swatches for the Background

Besides creating the halftone effect yourself, Illustrator also offers some ready swatches to use. You lot can observe them by going toWindows > Open up Swatch Library > Patterns > Basic Graphics > Basic Graphics_Dots.

This will provide you with a choice of plain grays and gradients in halftone. While they may non exist as flexible as making your own, they are quick and easy to employ, and volition make a good background for our paradigm.

Dot pattern swatches Dot pattern swatches Dot pattern swatches

Awesome Work, You're Washed!

Creating halftones is not very difficult in Illustrator, simply they can be a fleck fickle still. For example, you might notice their advent tin change unsatisfactorily when scaling. The all-time approach is to use halftones to an image that is already in its last size. That way yous won't have unpleasant surprises when you export the epitome.

Yous might spend some extra time tweaking the settings to go the perfect density of dots, but adding halftones tin can be a good way to shake up your grayscale artwork. Peculiarly with all the resources available, there are several ways to approach this type of style as well. For example, you might feel more comfortable creating halftones with brushes. If so, then this Halftone Brush pack from Envato Market might be of involvement to you.

Finished result Finished result Finished result
Or notice more comic-book Photoshop effects in this wonderful roundup:

Looking for more Illustrator tutorials? Larn how to use Adobe Illustrator in our costless three-hour video masterclass, or check out these tutorials!

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